For me if I had to pick a good contender it would be the UK version of The Office.

I know many tend to debate how Ricky Gervais really fell off and how he repugnantly acts like a whiny centrist edgelord but me personally IMO I actually don’t think he was ever funny not even a little.

His big break through television was just so painful to sit through it’s so charismatically boring the characters are completely generic at best (notably Tim) or straight up insufferably unlikable at worst (especially the protagonist David FUCKING Brent) and most importantly the humour is just embarrassing.

Always seemed like The Thick Of It but without the nuisance tongue in cheek and charming satire.

  • 9point6@lemmy.world
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    4 months ago

    A big part of why many of the things in this thread haven’t aged well, is because a lot of what made these shows original and unique was copied to death following the fame of the original.

    If you weren’t there for the original release of a piece of media, there’s a good chance you’re not necessarily seeing it in the context where the accolades make sense.

    Seinfeld basically invented the 3 camera sitcom and a lot of the key tropes in the format. If you go back today having not watched it before, the vast majority of it just comes across as a boring sitcom, because every sitcom to follow took notes from the way they did Seinfeld.

    It’s the same with the UK office, it basically invented the modern mockumentary format as well as the cringe comedy era that followed (and gave us things like peep show). If you look back now without that context, it just looks like a generic combination of both those things.

    • ytsedude@lemmy.world
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      4 months ago

      I believe “I Love Lucy” is credited with inventing or popularizing the three camera sitcom. Not to dampen’s "Seinfeld"s contributions or the point of your comment, but I just wanted to add that small correction.

      • ryathal@sh.itjust.works
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        4 months ago

        I think the bigger issue is that most of the show isn’t that good. Less than half the seasons are good, and the lows from the bad seasons are really low. Watching it on a streaming scenario exposes this a lot more than reruns of the good parts.

        • marzhall@lemmy.world
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          4 months ago

          I actually still enjoyed it for the most part last time I went through. Jerry’s standup is terrible and I have no clue how he ever got an audience, but the actual show I enjoyed most of, even if nowadays pretty much all the plots would be solved because everyone would have a cell phone.

    • HobbitFoot @thelemmy.club
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      4 months ago

      Seinfeld didn’t invent the three camera sitcom, but it was important in creating modern sitcoms that didn’t have a lesson to learn at the end of redeeming protagonists.

  • notsosure@sh.itjust.works
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    4 months ago

    My aunt Gisela promised to bring me into touch with my father. In reality, she simply darkened the room and, with a lowered voice, gave a bad imitation of my deceased dad. That’s one medium I could do without.

    • ccunning@lemmy.world
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      4 months ago

      They’re so bad.

      …well the first one was. Didn’t bother with any after that…

    • Blubber28@lemmy.world
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      4 months ago

      Great example of; just because it was a technical masterpiece, that doesn’t make a movie good. The special effects were outstanding for the time, and still hold up very well. That is something I will always praise it for, but it is the only thing worth praising about it. It really is a very polished turd, in that sense.

      • agamemnonymous@sh.itjust.works
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        4 months ago

        Yeah I saw it in IMAX 3D and it was certainly a spectacle. The visuals were phenomenal, but the film itself was otherwise completely forgettable.

  • SwissArmyKazoo@lemmy.worldOP
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    4 months ago

    The US Office is unironically a better show because it understood what path it wanted to take as it went on and stop trying to rely heavily on cringe comedy to focus more on absurdist but still relatable scenarios.

    • SirSamuel@lemmy.world
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      4 months ago

      I can’t watch The Office.

      My empathy makes me feel super uncomfortable watching people do socially mean or cringe things. I enjoyed most of Parks and Rec, but I didn’t like the way they treated Garry, and almost stopped watching because of that running gag.

      Oddly enough, I devoured The Bear. It’s not high anxiety or intensity that turns me off, it’s the banal meanness that some express that I can’t stand. The Bear is intense, but the characters feel genuine and honest

  • Foreigner@lemmy.world
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    4 months ago

    Have a few in mind:

    Catcher in the Rye. Holden is insufferable and I found it baffling that adults expected me to relate to him as a teen.

    Grease aged very poorly and I do not understand the hype (is it because John Travolta is wearing tight pants?)

    Family guy. The ship that launched a thousand cringe as fuck “adult animation” shows. Yes, I’m salty as hell about it.

    • chunes@lemmy.world
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      4 months ago

      It terrifies me that there are people walking around out there who feel seen by Holden Caulfield.

    • Rob T Firefly@lemmy.world
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      Catcher in the Rye was always an unforgivable whiney crap-mound of a book. Its notoriety is based on its banning, and the larger issue of whether people should be allowed to read books with swears, misanthropes, and sexual references in them, but there are and were so many better books featuring those things out there.

      Family Guy is a fascinating case of a crappy show insisting upon itself so hard that it successfully got itself uncancelled and forced into pop culture as a zombie endlessly repeating itself on the level of its inspiration and closest rival The Simpsons.

      I also loathe Grease but its general appeal is pretty easy to explain: it came out in the 1970s as a rose-tinted nostalgia piece for white middle-class boomers who grew up in the 1950s and, as so many people of all ages do, idealized their childhood era as when things were so cool and simple. (Spoiler to folks of all eras: things weren’t actually any simpler when you were young, you were just shielded from more of the bullshit than you are now.) It was the same nostalgia that fueled the runaway success of Happy Days on TV in that era, though at least that show managed to be a functional sitcom with more substance to it than the empty-headed misogyny-flavored story of Grease.

    • Voroxpete@sh.itjust.works
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      4 months ago

      The worst part is that if you somehow drag yourself through the first book and rightly declare that it sucks, fans will all say “Oh, yeah, the first book is bad, but it gets sooooo much better after that!”

      This is a fucking lie. The books actually get progressively worse at a genuinely shocking rate.

      Do you like reading a series of Wikipedia articles about all these really cool ideas the author had? Do you like being slapped in the face with moments of truly egregious sexism? Do you like characters with zero defining traits? Do you like entire plotlines built around Death Note style “I know that you know that I know that you know that I know…” style bullshit that falls apart the moment you think about it for five seconds? Do you like like awful solutions to the Fermi Paradox? Oh boy do we have the book series for you!

      • ikidd@lemmy.dbzer0.com
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        4 months ago

        You forgot the Deus Ex Machina explanation at the end that made literally everything before it a non sequitur.

        And he had no new ideas. Anyone that reads that series and extolls the originality of the Dark Forest theory hasn’t read any science fiction to speak of, let along Saberhagen’s Berserker series from the better part of a century earlier. He had nothing new, he was a literature prof writing his first SF book and doing it way worse than any literature prof should ever be at writing.

        Fucking garbage, I was angry and upset that I had wasted time reading that shit and wanted my money back. If anyone tells you that was great SF, you can safely turn your back and walk away, they have nothing useful to contribute to a conversation on the matter.

      • Aatube@lemmy.dbzer0.com
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        4 months ago

        fans will all say "Oh, yeah, the first book is bad

        i don’t think that’s how it goes. the fans i know all say both books one and two are really good (second one being better than the first of course, but no the first book is still awesome) while the third one is controversial. i personally agree with that except i also like the third book though i agree that one did nothing to dissuade misogynist interpretations and there are little if any strong femm characters in the series

      • Aatube@lemmy.dbzer0.com
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        Death Note style “I know that you know that I know that you know that I know.…” style bullshit that falls apart

        yeah if you didn’t like that part of death note (which i guess would be another of your responses to this question) you definitely wouldn’t like that plot line, which PSA to other commenters takes up about 1/4 of the second book. (i’m also curious to hear why you think it falls apart and debate it though i presume you wouldn’t be interested in debating this book lol. i liked the plotline partly because you also have to deduce what he’s going to do and going on through his mind)

        awful solutions to the Fermi paradox

        the Dark Forest Hypothesis has been around and proposed by physicists decades before the book popularized it, though not with that name; it is plausible that Liu independently thought of this. Stephen Hawking is a major proponent of this hypothesis.

        • Voroxpete@sh.itjust.works
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          4 months ago

          OK, so, the most important thing to understand about the Dark Forest hypothesis is that Cixin Liu is not necessarily making a serious argument for it as a realistic model of how the universe works. The novels are works of fiction, and while I will trash Cixin’s prose to the ends of the Earth (it is dire, and absolutely none of my complaints have anything to do with translation; the shift from Chinese to English didn’t magically replace dialogue and character action with endless tracts of dry narration, that’s just how he writes, and it’s bad), I think his grasp of themes is actually really, really good. I’ve often commented that I would love to see Liu take all of his ideas and collaborate with a better writer on putting them into text.

          In the case of Remembrance of Earth’s Past, the core themes of the series as a whole are all about altruism and cooperation, and the Dark Forest Hypothesis exists as a juxtaposition and foil to those ideas. He’s not necessarily advocating for it, it just works for what his story is trying to say about the human condition. The Dark Forest is, in a sense, the ultimate villain of the series.

          I also want to note that while earlier versions of the theory existed, there are subtle but important differences in how they’re expressed. Hawking et al are/were proponents of the idea that aliens may be hiding, but The Dark Forest specifically presents the argument that no only is everyone hiding from Space Hitler, but that everyone is Space Hitler, as non-genocidal civilizations are inevitably wiped out. That’s what I take issue with.

          As for why I think the theory is - removed from it’s context as a dark backdrop against which to write a story of hope - a crock of shit…

          Well, OK, I don’t think it’s a crock of shit in the sense that it’s utterly impossible. But it’s presented, especially by fans, as a kind of inevitable logical assertion, a fait-a-complit that cannot be challenged because it’s so utterly self-evident. This is nonsense. While the theory is technically possible, all of our available evidence suggests that it’s extremely unlikely.

          First, at a really basic level, 100% of our observations of intelligent species refute it. Humans constantly and enthusiastically blast our position into space, and the apparently irrefutable logic of the Dark Forest hypothesis hasn’t slowed our enthusiasm for doing so by one iota.

          “But humans are an outlier!”

          Based on what evidence? We have zero empirical observations to base that claim on. And no, I’m not claiming that one (1) species constitutes a statistically significant observation for my argument; rather I’m pointing to the fact that our empirical observations arguing for dark forest are zero (0), and our empirical observations against are > 0, and at some point proponents of the theory kind of have to deal with that fact. It’s just as absurd to claim that humans are an outlier as it is to claim that every species in the universe must inherently be like us.

          What we do know that is all life on Earth with any degree of intelligence demonstrates curiosity. Curiosity is, as best we can tell, an essential component of applied intelligence. An incurious species will never smash a stick with a rock and learn the concept of a hammer. Curiosity compels us to want to learn about the unknown. Liu presents this idea that inter-species cooperation will always be an unbridgeable gap because truly alien creatures from truly alien environments will never be able to comprehend each other’s goals and motivations, and that’s frankly ludicrous. The drive to understand the unknown is what made the first ape pick up a burning stick and realise it could keep their tribe warm.

          (Am I arguing that Project Hail Mary is basically a sufficient revocation of the Dark Forest Hypothesis entirely on its own? Broadly, yes.)

          Further to the lack of evidence is the lack of any observable evidence of the ongoing galactic genocide that we are apparently endlessly surrounded by. We know when stars should die - we’re actually pretty good at it - so spotting when stars are being blown up by civilisation destroying weaponry wouldn’t be that hard.

          Then we get to the fundamental flaws in the game theory. Liu proposes a forest full of hunters with rifles shooting each other from the darkness, but never once contemplates what happens if the hunter you fire at has a friend. Given the nature of the weaponry employed in the story, which is never shown to be capable of destroying more than one star system at a time, that friend doesn’t even have to be an allied civilisation, it can just be an extra-solar colony. The entire logic of the “Always strike first” conclusion falls apart at this point. You detect a star system that contains a nascent alien civilisation, you blow it up with a photoid. Turns out you detected one of that species first extra-solar colonies, and their homeworld immediately conceals itself, builds photoids, finds you and kills you. Hard to do, but entirely worth the effort now that you’ve made it essential to their survival.

          The hunters gun reveals him when he fires, and why shouldn’t it? There’s no reason to believe that methods of interstellar destruction are entirely undetectable to observers. Logically, opening fire is a terrible decision; you have declared to everyone around you that you operate on a first strike principle, making yourself an immediate target for destruction, potentially by a group of altruistic civilisations who will immediately choose to cooperate against you. It’s really not hard to formulate the logic of the dark forest in such a way that, rather than only paranoid, genocidal civilisations surviving, it is the exact opposite; that cooperators have an inherent advantage that would lead to only cooperators surviving. The theory as presented just relies on assuming that all of its suppositions are correct while ignoring alternative possibilities.

          The argument the theory presents against the likelihood of cooperation is the notion that we exist in a universe of finite resources, but increasingly our observations of the universe show that there is a LOT more matter than there is life, and at a certain level of technology all matter is usable resources. Basically once we can start printing carbon atoms we’re close enough to Star Trek replicators as makes no odds. Carbon is literally the fourth most abundant element in the universe. The Trisolarans can turn protons into multidimensional computers but they can’t fabricate food from the carbon in asteroids? That is an absolutely demented proposal. In the first Culture novel Ian Banks lays out how the Culture is basically undefeatable in conventional warfare because they’ve completely transcended the need for territory. Planets don’t matter when you can build spaceships the size of continents. The idea that advanced space-faring civilisations would be coming to blows over resources beggars belief. The Trisolarans have already demonstrated the technology required to just become a completely space-faring civilization.

          Hell, if the entire driver of a lack of cooperation is scarcity of resources, why the fuck would we be blowing up each other’s star systems with all those valuable life-supporting planets? If the existence of advanced life is somehow utterly dependent on life-supporting planets in a way that is fundamentally unsolvable, you’d be insane to go around destroying them.

          None of this is fundamentally dispositive to the theory. That’s not what I’m trying to claim. If it has a 0.0001% chance of being true then it’s still plausible. My point is simply that in order for it to be meaningful there are so many specific assumptions that would first have to be proven, and which, frankly, fly in the face of what available evidence we have. Essentially, we would have to be entirely wrong in many of our current observations of the state of the universe. You might as well assert that the moon is actually made of cheese, it’s just buried deep beneath all the bits we’ve studied. It’s a theory that seems entirely logical, as long as you ignore the vast majority of what we know about the universe.

          And I do want to reiterate what I said at the top; the Dark Forest Hypothesis is almost certainly a bad theory because it’s not meant to stand up as a theory. It’s more than likely just meant to be a piece of sufficiently plausible sci-fi technobabble - just like warp drive - that it can support what the story is trying to say, not an actual theory that stands up to scrutiny. I just dislike that a) it really does rely on a LOT of bad assumptions, to the point where I was questioning it throughout the story, and b) people act like it is some kind of irrefutable masterstroke of game theory.

          • Aatube@lemmy.dbzer0.com
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            4 months ago

            I do agree! (and that was a delightful reply to read) I’m just still upset that this was called truly “awful solutions to the Fermi paradox”, because physicists have entertained the possibility that these assumptions are true. Even if it is very unlikely, at least the principles of discovery and that Earth’s more-advanced civilizations have destroyed the less-advanced one in nearly every contact are likely enough that consensus is apparently to not broadcast, just to be safe. According to https://warwick.ac.uk/fac/sci/physics/research/astro/people/stanway/sciencefiction/cosmicstories/the_dark_forest/, that is their reasoning.

            TL;DR: I agree that it’s very unlikely (and that it’s made as a fictional device; to do classic science fiction, essentially) but I disagree objectively that it is “awful” lol.

    • mrgoosmoos@lemmy.ca
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      4 months ago

      I think I’ve read (or at least started reading) the book like three times and watched the show twice and I remember none of it

      at least, I think it’s that one. might have it mixed up with something else.

    • mysticpickle@lemmy.ca
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      Oh my God, I thought it was just me. I usually consume a lot of sci-fi media in general and was like, “why can’t I like this highly acclaimed work?”

    • mittyta@lemmy.world
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      4 months ago

      The only answer I can’t understand. A great novel. I Chinese context was very fresh and interesting for me. Sometimes it seems amature, like fan fiction, like author is not a professional writer. But it makes it even better.

      • jacksilver@lemmy.world
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        4 months ago

        I mean, I think you explain the reasoning in your own comment, the writing (at least in the English translation for me) was so rough that I couldn’t get into it. I can’t say I hated it, I just never got far into it because it couldn’t keep my attention.

        I’m surprised to hear someone say the poor writing was a plus for them. Why did that make you enjoy it more?

        • mittyta@lemmy.world
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          As I explained - it feeled fresh. I can’t explain why, but I can’t put it down while reading.

          I don’t try to convince people, who read this book, that it’s great. I address people who haven’t - you should give it a chance.

  • Armok_the_bunny@lemmy.world
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    4 months ago

    Harry Potter, even ignoring how much of a piece of shit the author is the books just aren’t particularly well thought out.

    • Tiral@lemmy.world
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      I agree. To be fair though the books have A LOT of extra shit that make the movies actually make sense.

    • Duamerthrax@lemmy.world
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      4 months ago

      There are so many simple solutions to the problems presented in the books, but JK is too afraid of challenging her own status quo.

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    4 months ago

    Sports. I have little tolerance for it because every time a big event is on, people get incredibly obnoxious. They think they know better than the professional players, they keep making so much noise, it polarizes people into arbitrary bands and start talking shit like using that as an excuse to be a homophobic POS, sometimes they’ll even riot because their team lost/won (da fuk), and even kill people over their favorite fucking team, and so much more. If the game is on I’d rather steer clear because it really brings out the worst in people.

  • lonefighter@sh.itjust.works
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    4 months ago

    Star Wars. I really wanted to like it, I’m a huge nerd, but I just am not into it. I watched 4 and 5 and got maybe an hour into 6 and got up and walked away. I was so bored with the whole thing.

    • bluesheep@sh.itjust.works
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      Never watched any star wars movie and at this points I’ve seen so many spoilers through memes that I am not very tempted to do so

    • Summzashi@lemmy.world
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      4 months ago

      Save for most of the original trilogy, Star Wars turned into actual dogshit halfway through Return of the Jedi.

  • Voroxpete@sh.itjust.works
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    4 months ago

    You’re right and you should say it. Ricky Gervais has always been weird and off-putting and the idea that he was ever good has always baffled me. I never enjoyed The Office. When my dad tried to get me into Extras I just found all of Ricky’s parts annoying. When my sister told me how great Derek was, I just found the whole thing simultaneously tasteless and bland, like it couldn’t commit to being offensive but didn’t put the work into being real. His standup is often clever, but always the kind of clever that is let down by a complete lack of emotional intelligence. The man just does not understand people, but thinks he really does.

    • Rob T Firefly@lemmy.world
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      I think I first encountered Ricky Gervais’ work in those YouTube videos which took clips of his podcast and animated them as cartoons. They were being passed around like the best thing ever for a minute or two back in the day, and I watched a bunch and didn’t get why it was supposed to be funny that two guys were being assholes at a third guy over and over.

      • aesthelete@lemmy.world
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        4 months ago

        Karl Pilkington was the funniest one out of them in my opinion. Derek went down in flames when he left the show.

  • fibojoly@sh.itjust.works
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    4 months ago

    I’m curious if you’re from the UK, OP, because I think this colours your perception of the The Office very much. For the record I loathe both, but The Office UK is a typical British comedy of taking the absolute piss of the characters, who are irredeemable fools one and all. You re not supposed to find them funny, or like them. You’re supposed to laugh at them. That’s the usual expectation, with British comedy.

    Americans seem to have great difficulty with that concept, and can’t seem to handle a protagonist that is made fun of.

    Again, not defending the show itself. Just saying you need to be aware of this approach when you watch British comedy in general. The common language should not make you forget the ocean of cultural differences in between.