I can’t stand this bloody series. ‘It’s art for the sake of art’. ‘This is really Lynch’s gift to all subsequent media’. ‘There is so much we owe to this series.’

What the hell. It’s just random pieces of script written by monkeys on a typewriter, slapped together. No part of the story is ever finished. ‘Ah but that’s where the depth resides!’. Rubbish. Anybody can write a story that doesn’t properly finish.

Oh I know I will introduce 20 new characters, this will add so much depth. Yeah, they have no motives, no character development BUT I will add this random surreal thing that happens to them, for additional depth. But what happens to X? Who knows! And to Y? You have to guess! And to Z? No one can tell!

Maybe using steel-faced actors will improve the plot? I know I will cast myself in one role with quirky details because it’s so fun. Yeah I don’t know how to act, why? Is it necessary?

And the goddamn music is unsufferable. ‘You can’t separate Lynch’s work from Badalamenti’s music’. Yeah I know they’re both shit. Oh and the effing gigs in the sequel of the series. Aaaaaah!

But at least there is some symbolism! Yes, what is it? Who fucking knows!

  • uid0gid0@lemmy.world
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    27 days ago

    The tv show aired while I was in college. If you knew who Lynch was before going into it, you kinda expected it to be weird just for the sake of being weird, because that’s David Lynch in a nutshell. And it did live up to those expectations, I must admit. The backwards taking dream sequence, the log lady, agent Cooper’s obsession with coffee, all fit. In fact when MacLachlan’s character in Fallout was making coffee I fully expected to hear his famous line from Twin Peaks