• jaycifer@lemmy.world
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    3 hours ago

    This may come off as really pretentious, but when I’m feel a wistful melancholy for the past, I hear this short poem I wrote a few years ago called Still Here:

    I thought this feeling cast away

    Though here it is, perhaps to stay

    Though years have passed and I have cried

    My inward plea is still denied

  • raldone01@lemmy.world
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    5 hours ago

    The Clock Man by Shel Silverstein

    “How much will you pay for an extra day?” The clock man asked the child.

    “Not one penny,” the answer came.

    “For my days are as many as my smiles.”

    “How much will you pay for an extra day?” He asked when the child was grown.

    “Maybe a dollar or maybe less, for I’ve plenty of days of my own.”

    “How much will you pay for an extra day?” He asked when the time came to die.

    “All of the pearls in all of the seas, and all of the stars in the sky.”

  • 1D10@lemmy.world
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    5 hours ago

    Elizabeth Barrett Browning

    If thou must love me… (Sonnet 14)

    If thou must love me, let it be for nought Except for love’s sake only. Do not say, “I love her for her smile—her look—her way Of speaking gently,—for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day”— For these things in themselves, Belovèd, may Be changed, or change for thee—and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity’s wiping my cheeks dry: A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love’s sake, that evermore Thou mayst love on, through love’s eternity.

  • AdolfSchmitler@lemmy.world
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    6 hours ago

    “We will not cease from our exploration. And the end of our exploring Will be to return to the place we began, And to know that place for the first time.”

    Basic-ass bitch T.S. Elliot poem. But it hits hard for me growing up in a small town (3,400 ppl) and left to move to a big city (500,000). And I’m reminded of this poem everytime I go back to visit.

  • whotookkarl@lemmy.dbzer0.com
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    6 hours ago

    First verse of mad Tom o bedlam:

    From the hag and hungry goblin.
    That into rags would rend ye,
    The spirit that stands by the naked man.
    In the Book of Moons defend ye,
    That of your five sound senses.
    You never be forsaken,
    Nor wander from your selves with Tom.
    Abroad to beg your bacon,
    While I do sing, Any food, any feeding,
    Feeding, drink, or clothing;
    Come dame or maid, be not afraid,
    Poor Tom will injure nothing.

  • sylvanSimian@lemmy.world
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    6 hours ago

    XV.

    EACH that we lose takes part of us; A crescent still abides, Which like the moon, some turbid night, Is summoned by the tides.

    Emily Dickinson

  • Random Dent@lemmy.ml
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    9 hours ago

    I’m Explaining a Few Things by Pablo Neruda

    You are going to ask: and where are the lilacs?

    and the poppy-petalled metaphysics?

    and the rain repeatedly spattering

    its words and drilling them full

    of apertures and birds?

    I’ll tell you all the news.

    I lived in a suburb,

    a suburb of Madrid, with bells,

    and clocks, and trees.

    From there you could look out

    over Castille’s dry face:

    a leather ocean.

    My house was called

    the house of flowers, because in every cranny

    geraniums burst: it was

    a good-looking house

    with its dogs and children.

    Remember, Raul?

    Eh, Rafel? Federico, do you remember

    from under the ground

    my balconies on which

    the light of June drowned flowers in your mouth?

    Brother, my brother!

    Everything

    loud with big voices, the salt of merchandises,

    pile-ups of palpitating bread,

    the stalls of my suburb of Arguelles with its statue

    like a drained inkwell in a swirl of hake:

    oil flowed into spoons,

    a deep baying

    of feet and hands swelled in the streets,

    metres, litres, the sharp

    measure of life,

    stacked-up fish,

    the texture of roofs with a cold sun in which

    the weather vane falters,

    the fine, frenzied ivory of potatoes,

    wave on wave of tomatoes rolling down the sea.

    And one morning all that was burning,

    one morning the bonfires

    leapt out of the earth

    devouring human beings –

    and from then on fire,

    gunpowder from then on,

    and from then on blood.

    Bandits with planes and Moors,

    bandits with finger-rings and duchesses,

    bandits with black friars spattering blessings

    came through the sky to kill children

    and the blood of children ran through the streets

    without fuss, like children’s blood.

    Jackals that the jackals would despise,

    stones that the dry thistle would bite on and spit out,

    vipers that the vipers would abominate!

    Face to face with you I have seen the blood

    of Spain tower like a tide

    to drown you in one wave

    of pride and knives!

    Treacherous

    generals:

    see my dead house,

    look at broken Spain :

    from every house burning metal flows

    instead of flowers,

    from every socket of Spain

    Spain emerges

    and from every dead child a rifle with eyes,

    and from every crime bullets are born

    which will one day find

    the bull’s eye of your hearts.

    And you’ll ask: why doesn’t his poetry

    speak of dreams and leaves

    and the great volcanoes of his native land?

    Come and see the blood in the streets.

    Come and see

    The blood in the streets.

    Come and see the blood

    In the streets!

    Good Bones by Maggie Smith

    Life is short, though I keep this from my children.

    Life is short, and I’ve shortened mine

    in a thousand delicious, ill-advised ways,

    a thousand deliciously ill-advised ways

    I’ll keep from my children. The world is at least

    fifty percent terrible, and that’s a conservative

    estimate, though I keep this from my children.

    For every bird there is a stone thrown at a bird.

    For every loved child, a child broken, bagged,

    sunk in a lake. Life is short and the world

    is at least half terrible, and for every kind

    stranger, there is one who would break you,

    though I keep this from my children. I am trying

    to sell them the world. Any decent realtor,

    walking you through a real shithole, chirps on

    about good bones: This place could be beautiful,

    right? You could make this place beautiful.

  • VirtigoMommy@sh.itjust.works
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    10 hours ago

    A poem my brother wrote

    Nothing changes, and it changes all at once. Nothing moves, nothing exists. Nothing is important, so we should learn nothing, we should study nothing, get close to nothing, be kind to nothing. We must come to understand nothing so well that we could maybe even see nothing in ourselves. Because nothing matters, nothing is important, and I think that’s something.

  • ArseAssassin@sopuli.xyz
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    11 hours ago

    Nothing Is Too Small Not to Be Wondered About by Mary Oliver

    The cricket doesn’t wonder
    if there’s a heaven
    or, if there is, if there’s room for him.
    
    It’s fall. Romance is over. Still, he sings.
    If he can, he enters a house
    through the tiniest crack under the door.
    Then the house grows colder.
    
    He sings slower and slower.
    Then, nothing.
    
    This must mean something, I don’t know what.
    But certainly it doesn’t mean
    he hasn’t been an excellent cricket
    all his life.