Super Mario Bros (1993)
Came here to say this. It’s a great movie, even if it’s ridiculous.
This is mine too. It’s a cute, fun movie. Yes completely over-the-top stupid, but that’s part of the enjoyment. I think a reason I liked it when everyone else seemed to hate it was that I didn’t have a Nintendo as a kid, so I wasn’t saddled with an expectation of what Mario should be.
Dennis hopper was just crushing it back in the day.
The Boondocks Saints
There was a moment in the pitch meeting when the producers read, “then Willem Dafoe dresses up like a female prostitute to seduce the guards”, and they were like yeah, let’s fuckin make this movie.
Came here to say this!
Like a poor man’s Lock Stock and 2 Smoking Barrels. I loved it too.
Hudson Hawk, Bruce Willis’ longtime passion project where he and Danny Aiello play singing cat burglars.
I genuinely love it despite it not being very good at all. Saw it in the theater knowing nothing at all about it.
God that movie is awful. I love it.
I didn’t even know it was considered bad.
Freddy Got Fingered. It’s a hysterical mess.
I think the reason the movie exists is because Tom green just needed an excuse to jerk off a horse.
Proud
Its crazy how big of a deal Tom Green became and how quickly it all faded away.
The Core
It’s so fucking stupid that it is like a Trainwreck you can’t look away from.
I wouldn’t describe The Core as a trainwreck. The premise is the dumbest shit imaginable but somehow they managed to make an enjoyable film. The cast is great. It makes for a solid background movie to help you get though house chores or other menial work.
And I love it. Its the core or the martian if you don’t know what to watch.
Troll 2
There’s even a documentary about how bad it is.
Not an actual troll to be found anywhere. So awesome.
The documentary about the film is amazing
What do you love about it
And compared to Birdemic, it is bad in a good way.
I mean, you shouldn’t piss on hospitality like that.
There is a movie called Club Paradise. Mid-80’s comedy starring Robin Williams and Jimmy Cliff, Twiggy, a bunch of 80’s comedy regulars, Peter O’Toole is in it. The plot of the film is local honest people vs corrupt government and business, but minute to minute it’s mostly a spring break shenanigans movie starring a bunch of adults? Like, Rick Moranis and Eugene Levy play a pair of potheads named Barry and Barry who repeatedly fail to score weed and chicks.
It has mostly negative reviews, but I’m fond of it. It DOES NOT work as a cinema film, I cannot imagine going to a theater, sitting reverently and quietly as it boomed down at me, but it works on TV as “let’s put a tape in while we’re getting ready for Family Saturday Afternoon Hobby Outing/waiting for Family Saturday Afternoon Hobby Venue to open.”
If I love it I objectively think its good. There are quite a few that people think were bad and most bombed hard and I loved them here goes one.
Hudson Hawk: Sandra Bernhard and Richard Grant were the most over the top bad guys. They were having a great time being that. The whole cast was just playing it like it was a blast to be there.
Hudson Hawk is one of my all time favorites, I quote it regularly and no one knows what I’m talking about.
Bunny, Ball Ball.
The Adventures of Buckaroo Banzai Across the 8th Dimension is a horrible movie and I absolutely love it! It is just so bad it is good.
Wrong, it is an amazing film. Nothing bad about it
I’ve been told Madame Web is objectively bad. I like it. I like the atmosphere of it. I like the main character despite reports that the actress gave an intentionally bad performance. I like the Britney Spears song playing in the diner scene. I like the story of her suddenly having to look after three teenagers. I know there are plot holes but I don’t care. I like the comedy, that may or may not have been intentional. I find the part where she “kidnaps” the girls funny. I like that Peter Parker is born in it, but I don’t get why they don’t say his name. Yeah, overall I like this movie but nobody else seems to.
I like Sydney Sweeney. And I like looking at Sydney Sweeney.
AeonFlux is pretty bad, I watch it every few years. Never saw the show.
The show is awesome, but it’s about 30% Twilight Zone, 20% Ghost in the Shell, and 50% incomprehensibly kinky fetish so esoteric that the censors didn’t know that it ought to have been censored for TV release.
I liked Shyamalanamans “The Last Airbender.” I started hearing how everyone thought it was terrible, and I’ve kept my secret until now.
I’m genuinely impressed at how well the air/fire bending turned out.
Give “Ong” a sense of humor and call him “Aang” and it would have been way better received.
Ok this one hurts
I’m gonna tentatively say Cloud Atlas, but I don’t think it’s terrible. I am aware that not a lot of people like it, and I believe if the Wachowskis had followed the book, it would have been better received.
Cloud Atlas, the book, was structured in a way that was easier to follow, and made for a narrative flow through its seven timelines. Seven timelines in and of itself is quite a tall order, but the point was that kindness and art resonate through each timeline. In the book, the first six timelines are told halfway through. At around the halfway point, you jump to the next timeline. When you get to the seventh, it plays through in its entirety (I think — I feel like the epilogue, if it was in the book, would have gone at the end — I haven’t read the book yet, but it’s on my list of books to read. I’m just aware of how it’s formatted). Then the other six timelines finish, but this time in reverse order. So if the timelines are 1-7 and the halves are A and B, the book is basically 1A, 2A, 3A, 4A, 5A, 6A, 7A, 7B, 6B, 5B, 4B, 3B, 2B, and 1B. That makes sense. The film takes the book, cuts off the spine, throws all the pages up in the air, picks them up in random order, and then that’s the screenplay. It jumps all over the place without rhyme or reason. And it’s three fucking hours long!
The first time watching Cloud Atlas, I don’t think anyone liked it. But once you know what’s going on and you go back and watch it again, that second time, you know what all the stories are, and you’re not getting thrown around as much. If I had the budget to adapt the book, I’d probably do it as anime and have 14 episodes, and you can see above how I’d do it. So each half would get a single episode. You’d be kinda lost for the first half, but then going through the second half, everything just clicks. I’m not sure how I’d do it as a film, except to say I fucking wouldn’t. That the Wachowskis made it work for those of us with the patience to sit through a second and third viewing is kind of a miracle. At the very least I’d want to do a miniseries.
Cloud Atlas was not objectively terrible, but it was objectively flawed, and deeply at that. I still love it.
Also, Robin Hood: Prince of Thieves. Widely hated for Kevin Costner not being able to pull off an English accent and director Kevin Reynolds letting him get away with it. And yet, I don’t think if Reynolds had recast Robin, it would have been as good. So if you look at the guys who were active in movies in 1991, you got some choices. Richard Gere probably could have pulled off the acting part. The machismo of Robin Hood? Of that Robin Hood? Maybe not. If you go with the classic Peter Pan-built Robin, and get rid of the war hero opening, maybe — but then how do you explain Morgan Freeman’s character? And you don’t write him out. There were plenty of actors who could have done the English accent and the action scenes, but there’s something about Kevin Costner, American accent and all, that really tied that movie together. And it’s kind of bad, Robin Hood with an American accent. I mean, what even is that? And yet, I love it.
I also enjoyed both of these movies. If you tell me that you also enjoyed Crash (2004) despite all the hate then I think we’ll have to become best friends.
I did like Crash, though I also recognise its shortcomings. I feel like it’s a fairy tale of sorts. X just happens to happen so Y can happen and leads to Z all because of a coincidence? Mainly referring to the invisible, bulletproof cloak, but also the thing with the cop and the Black lady. It’s so carefully put together though, I have to give it respect. But it’s in no way realistic. That’s never been a requirement for me. Big Fish, which is basically Forrest Gump plus fantasy, most of it is stuff that could/would never happen… and yet, it works. So, why is Crash any different? Because it doesn’t outwardly present as fantasy? All fiction is (somebody’s) fantasy. Well, I mean if you make it up, it comes from the same place as fantasy. It could be comic or it could be tragic, but if you made it up, the end or the message justifies all the leaps to get to that point. Basically it’s all fantasy. Because real life doesn’t have to have a point or a message. It just is.
Cloud Atlas and Robin Hood: Prince of Thieves are great movies!
I can force myself past Costner’s accent. It’s Slater’s hair that yanks me out of immersion! I do love that movie though, I just wish they’d cast someone other than Christian Slater.
Yeah, I think back then Christian Slater was kind of his own brand, if the hair went, he went. And they wanted his name on the poster. I bet they would have loved to have his ass on display, rather than Costner’s, if they could have had it that way. He was the one pulling the young women into the theater. Costner… maybe older women. Even back then. Though it was more of an action role for him… I remember a lot of the girls and women swooning over him a few years later in The Bodyguard though.
Oh no, I hear Bryan Adams
Good song… but not his best. I prefer Summer of '69 and a couple others whose names escape me at the moment. Growing up in the 1980s he was always around. Everything I Do (I Do it for You) didn’t revive his career, it was kind of at the end of his popularity. So for all the radio play it got, it didn’t really help him as much as maybe it should have. He kept making music but it wasn’t popular, or as popular.
I remember watching the music video at the end of the VHS over and over as a kid.
Battlefield Earth.
Travolta prancing around a B movie set high AF on scientology will never not be peak.
Plan Nine from Outer Space, of course.










