You must log in or # to comment.
I love you.
For anyone working on or around stages:
Most sane production companies standardise on over-under. Even if you find some other method superior (nothing is), you’ll get thrown out headfirst if you don’t follow the standard. Having a tech fuck around with a non-compliant cable during a changeover is far too risky.
Should be noted that there are special cases. For example, thicccc cables (i.e. 24ch analog multi) that have their own dedicated cases often go down in an 8 instead - easier to pull out and you can use a smaller case. Thank god for digital audio.
(Also, when using over-under correctly, you can throw the cable and it will land straight without any internal stresses winding it up like a spring)
This technique is often referred to as “over, under” as apposed to the more common “over, over” because it prevents damage or cable memory from twisting in one direction. Frequently used in the audio/video industry.
The biggest downside is that if you pass the end of the cable through the middle of the bundle you will create a knot every other loop. These can quickly be unknotted by gathering the knots together in line and passing an end back through. Also makes a decent magic trick.
A cable tie, hook-and-loop fastener, or a piece of rope or tie-line with a clove hitch in the middle is essential to secure cables while in transit or storage.
Also do this with garden hoses and braided style ropes
